THE ZERO THEOREM

“No zombies, no caped crusaders or alien spacecraft” Official one-sheet and hi-res images for the anticipated sci-fi along with a statement from director Terry Gilliam.

After losing her band mate and brother to a drug overdose, rising rock star Hayley finds herself in a downward spiral. The new album from her band Plush is received as a critical and commercial disaster. She finds new hope and friendship in Enzo, the replacement guitarist who inspires her to reach new creative heights.

But soon their collaboration crosses the line and Hayley, who is married with two children, retreats from Enzo’s advances. As Hayley slowly discovers Enzo’s dark and troubled history, she realizes she may have let a madman into her home and that her mistake may cost the lives of people closest to her.”

Click for hi-res versions

In addition to the poster and stills, Gilliam released the following statement:

“When I made Brazil in 1984, I was trying to paint a picture of the world I thought we were living in then. The Zero Theorem is a glimpse of the world I think we are living in now. Pat Rushin’s script intrigued me with the many existential ideas he had incorporated into his funny, philosophic, and touching tale. For example: What gives meaning to our lives, brings us happiness? Can we ever be alone in our increasingly connected and constricted world? Is that world under control or simply chaotic? We’ve tried to make a film that is honest, funny, beautiful, and surprising; a simple film about a complex modern man waiting for a call to give meaning to his life; about inescapable relationships and the longing for love, full of quirky characters and sparkling performances; raising questions without offering obvious answers. Hopefully, it’s unlike any film you have seen recently; no zombies, no caped crusaders or alien spacecraft. Actually, I might have lied about that last item. Having not worked with a budget this small for several decades, I was forced to work fast and instinctively, pressured only by time and money. We relied on the freedom to spin on a dime, to make outrageous creative leaps. The results surprised even me. I’m proud to have been part of The Zero Theorem.”